Francis Carr
  • Home
  • About
    • About
    • The Magic Of Screen Printing
    • Artist as Instigator ’50s onwards
    • Visions and Projects
    • All Works
  • Print
    • Screenprints ’40s-’50s
    • Children’s Screenprints ’50s–’60s
    • Divided Self – Lazer Prints
    • Information Technology – Screen Printed Monotypes ’90s
    • City Consumerism Series – Block Print, Stencil, Collage ’90s
  • Drawing
    • City Bridges, charcoal
    • City St Pauls and the River, oil pastel ’80s
    • City Barbican, oil pastels
    • Forest of Dean, pastel / charcoal
    • Landscapes, charcoal
    • Animals
  • Painting
    • Circuits, Valves, Graphs 1960
    • Signals and Components 1960
    • Landscape, small guache
    • Landscape Various
    • Sunflowers
  • Environment
    • Magic Garden Tactile Mosaic 1960’s
    • GLC ’65 – ’69
    • Play Sculptures ’60s – ’80s
    • Port Talbot Earthwork 1970
    • Tree Of Life Stone Maze Earthwork 1990
  • Other
    • Divided Self Sculpture and Reliefs
    • Gnome Living Grass Sculpture 2000
  • Contact
Select Page

Divided Self – Plaster Sculpture and Vacum Formed Reliefs

Francis used a neutral mannequin head as motif for a number of artworks. Multiple plaster heads were used to produce sculptures and vacuum formed printed reliefs. He used the blank head motif to express alienation within urban society.

Yellow Tear

Yellow Tear

Conversations 1

Conversations 1

Silver Heads

Silver Heads

Head Stack

Head Stack

Tower of Babel

Tower of Babel

Single Vac-Formed Head

Single Vac-Formed Head

Six Degrees of Separation 1

Six Degrees of Separation 1

Six Degrees of Separation 2

Six Degrees of Separation 2

About

A collection of works spanning 6 decades. Francis Carr was an Artist, Designer, Teacher, Mentor, Ecologist and Critic.

©copyright Francis Carr 2018 All Rights Reserved